Normally debuting bands consist of youngsters who are struggling to sound professional, Dark Horizon however is a band that doesn't fit this tag. At the start of the new millenium, five veterans of the British 80s goth scene decided to form a band without having much musical knowledge. Gradually, and with the help of Fields of the Nephilim and NFD member Tony Pettitt, they mastered their instruments and improved their writing skills. The result is an album that sounds convincing as a debut. It holds the middle between dark metal and traditional goth rock.

Their sound is influenced by bands such as Killing Joke, Paradise Lost, Anathema, Rob Zombie, and Lacuna Coil. Sturdy guitar riffs and heavenly synths dominate 'Shine', the midtempo opener of the album. '1 More' alternates between grave guitar laden pieces and subtle piano/voice interludes. The vocals on 'Higher Ground' may well be the best on the album, it's also the most memorable song. After the grooving 'Lost', the ballad 'Last Mile' appears.

Vocalist Michael Clayton shows that he also knows his way with brittler compositions. The dragging 'Shock' is the most ponderous track on No Gods on Earth, with a subdued intro. 'Time' could well have been a song by The Mission, graceful and stylish. 'Real' has a spirited nature, thanks to the drums. The guitars sound more diverse and melodic, which is a welcome dimension. Industrial-like synths and electronic percussion reveal the influence of NFD's Tony Pettitt on 'I Need'. The stately piano adds a majestic element to the closer 'Dark Shine'. No Gods on Earth may not sound very innovative, but keep in mind the fact that Dark Horizon is only a newcomer. The overall quality of the album leaves a solid base for the future of this band anyhow.