Death Rock is alive, Baby!
And on âUnholy Burialâ
Voodoo
Church shows us what a perfectly balanced death rock album is supposed to sound like.
The album is split in two: âFace Upâ and âFace Downâ. Honestly speaking, there isnât much difference between the two parts, but nobody really cares about that.
âFace Upâ opens with the obligatory âUnholyâ and ends with the delightful âZombie a Go-Goâ. In between we get a couple of songs which are exactly according to the rules of the genre: very catchy guitar riffs, some church bells here and there, mournful female singing, and all of this delivered in tight, pointy songs.
According to the lyrics we are all going to die. We are also being chased by voodoo dolls and we keep howling at the moon. All of the songs are warmly arranged and especially âNew Deathâ catches attention with its mixture of melancholica and rock. Only âRagged Soulsâ is a bit disappointing, but this is only because of the effect that is placed over the singing â a superfluous addition.
The second part, âFace Downâ keeps on going like the first part. The only differences are perhaps to be found in the lyrics: we are really dead by now and are forever in possession of female singer Tina Winter. âMay Iâ doesnât even last one minute, but is very creepy and ominous. The listener is now fully prepared for the absolute highpoint of âUnholy Burialâ: the cover of The Cureâs âThe Figureheadâ. I myself believe that this is one of the best songs of Robert Smith and his companions, so I was a bit skeptical when I saw the track list. But as soon as I heard this version, I was amazed. The fact that we are listening to a female singer in stead of the drawling voice of Robert Smith, is in itself renewing. But the geniality is to be found in the sound of the bass. The perfect creation of Simon Gallup is really lifted to higher grounds by Voodoo Churchs bass player Randall Cole. GoosebumpsâŠ
The second part ends with the clichĂ© outro âBurialâ and so the album ends. The most important minus of âUnholy Burialâ is just this fact: an album such as this can entertain the listener for hours and itâs a pity everytime the fairytale comes to an end.
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